The Secrets to Drawing: Charcoal
Lesson Description
Lesson Fifteen of The Secrets to Drawing Course introduces students to the expressive and versatile medium of charcoal. Charcoal offers a rich, dramatic range of values, allowing artists to create deep shadows, luminous highlights, and bold, dynamic drawings. In this lesson, students learn about the different forms of charcoal, how to handle it effectively, and apply their skills to draw an apple using both black and white charcoal on gray drawing paper. This lesson builds on prior instruction in value, shading, and composition, showing students how charcoal can enhance contrast, texture, and visual impact.
Introduction to Charcoal as a Medium
The lesson begins by explaining the unique qualities of charcoal as a drawing material. Unlike graphite, charcoal produces deep, velvety blacks and can cover large areas quickly while still allowing for fine detail. Its versatility makes it ideal for both gestural, expressive sketches and precise, realistic renderings. Matt Fussell emphasizes that learning to control charcoal takes practice but offers unmatched opportunities for developing bold, compelling drawings.
Students are introduced to the ways charcoal interacts with different types of paper, particularly mid-tone gray paper, which allows both black and white charcoal to stand out and creates a strong sense of light, shadow, and form.
Exploring Different Forms of Charcoal
Next, students explore the various forms of charcoal and how each is best used. Matt demonstrates the following types:
- Compressed charcoal: Dense, dark, and ideal for strong, bold lines and rich shadows.
- Vine or willow charcoal: Soft, easily smudged, and perfect for light sketches, subtle shading, and blending.
- Charcoal pencils: Controlled and precise, suitable for detailed areas within a drawing.
- White charcoal: Used on toned paper to add highlights and contrast, helping to define the form and create depth.
Students learn how to select the right type of charcoal depending on the desired effect, the subject, and the stage of the drawing process. Understanding the properties of each form ensures that they can manipulate the medium effectively and with intention.
Preparing the Drawing Surface
The lesson emphasizes the importance of preparing the drawing surface. Gray toned paper is recommended for this exercise because it provides a neutral mid-tone that allows both black and white charcoal to create a full range of values. Students are guided in lightly sketching the outline of the apple with vine charcoal, establishing the shape, proportion, and placement on the paper before moving into shading and detailing.
Shading and Rendering the Apple
Once the basic outline is complete, students move into shading and rendering. Using compressed charcoal, they begin to build the darkest areas, establishing the shadows and creating the illusion of volume. Vine charcoal is used for midtones and smoother transitions, while blending tools such as stumps or tortillons help soften edges and gradients. The exercise demonstrates how to layer charcoal gradually, allowing for careful control of tone and depth.
White charcoal is introduced to add highlights and accentuate the form of the apple. Students learn to observe the way light falls across the surface, identifying key highlights and reflective areas. By combining black, white, and gray tones, the apple gains a realistic three-dimensional appearance on the mid-tone paper.
Techniques for Texture and Detail
In addition to shading, the lesson covers techniques for creating texture. Matt demonstrates how to use controlled strokes, smudging, and erasing to suggest the subtle surface variations of the apple. Students practice adjusting pressure, blending, and layering to achieve both smooth areas and textured details. The lesson emphasizes the balance between expressive, gestural marks and controlled rendering to create a drawing that feels both realistic and dynamic.
Benefits of Charcoal Drawing
Drawing with charcoal teaches students to think in terms of value, contrast, and form. The medium encourages bold mark-making and expressive gestures while reinforcing skills in observation, shading, and composition. Using both black and white charcoal on gray paper provides a powerful way to explore light and shadow, helping students create striking, visually compelling artwork.
Conclusion: Mastering Charcoal as a Medium
By the end of Lesson Fifteen, students have a solid understanding of how to draw with charcoal. They have learned about the different forms of the medium, how to manipulate black and white charcoal for value and contrast, and how to render a realistic apple using a combination of techniques. This lesson reinforces the importance of observation, layering, and careful control of light and dark, preparing students to apply these skills to more complex subjects and expressive compositions. Mastery of charcoal expands the artist’s technical and creative abilities, offering a versatile tool for creating dramatic and impactful drawings.
Lesson Materials
Vine charcoal, compressed charcoal (white and black), white or gray drawing paper, kneaded eraser, blending tool.
Lesson Resources
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Hi my name is Hyesuk! I am a new student! I really like the way your teaching!
I can’t download the e-book. Perhaps the link is broken? Loving the course and I am noticing an improvement in my drawings.
I can’t download the lesson on Charcoal either! Very disappointing!
Hi Marlyn,
Could you tell me the error message you are receiving? It seems that everything is working normally. There is a slight delay before the download begins.
Hi Matt.
I am in the process of buying some charcoal for this assignment. Is there a difference between compressed charcoal and charcoal pencils? Should I stick with the compressed charcoal sticks and vine?
I just watched the video, so disregard my question.
Charcoal is a media that is amazing to me for some reason. I feel like the simplicity to it, combined with the amazing work you can create with it just blows my mind. Charcoal is something I would really like to keep practicing and become a lot better with. Great Video!
This video was great but kept stalling and freezing ….it took forever to watch it…. I closed all the other tabs I had open. I am using a Safari browser; have you had issues with it before???
Hi Frankie,
This is called buffering and occurs when your internet connection cannot keep up to play the video in high definition. You can scroll over the player and click on the “HD” logo to turn off high definition which will allow the video to load faster.
This lesson represents a breakthrough moment for me. I knew about shades and tints but didn’t really grasp the understanding of lights and darks until I followed this lesson. It was a perfect A-hah moment.
Awesome Michelle!
I loved working with charcoal! Thanks for your clear instructions.
Absolutely Donna! Thanks for your comment!
My questions may be naive but I’m a beginner to drawing and art. Is there any concern on the effects charcoal may have on the skin? Also, will a fixative or finish keep the charcoal from smudging after the drawing is completed or does the charcoal become permanent on its own? If a fixative is needed, do you recommend any particular kind or brand? I have a can of Krylon Low Odor Clear Finish; will that work okay? Thank you.
Hi Marc,
Not sure how it may effect the skin, but it’s definitely not good to inhale. Charcoal will always smudge unless you apply fixative. I typically don’t apply fixative because it affects the values. But if smudging is a big concern, then fixative may be the best option for you. I would look for “Final Fixative” – you can usually find it at the local art store with the drawing supplies.
Is charcoal used mostly for landscapes ?? Can it be used for drawing people?
Hi Salvador,
Charcoal can be used for drawing any subject. It can definitely be used for portraits. Here’s a look at using charcoal with portraits…http://thevirtualinstructor.com/how-to-draw-portrait-charcoal.html
I just watched the charcoal module and then tried the apple exercise. The result was surprisingly good for a first attempt with charcoal. I loved working with this messy medium!
Your lessons are addicting. I just joined a week ago and find myself going through as many videos as I can fit into the day. What a great teacher you are – very precise, organized and easy to follow. This is a life changer for a 75 year-old retired teacher who was playing far too many computer games before I found The Virtual Instructor.
Thank you.
Hi Matt, just wondering about the oil in your skin, in previous videos you have mentioned that rubbing your finger over pencil drawing will leave an oil mark, this doesn’t seem to apply to charcoal?
Regards Tracey
PS. Loving everything your teaching us
Hi Tracey,
Thanks! For whatever reason, the graphite behaves differently from the charcoal. The charcoal seems to resist the oils from our skin, but graphite is another story.
Hi Matt, Are there any specific brands of vine charcoal that you would recommend? What about charcoal pencil brands?
Hi Meenakshi,
Any of the well known brands of charcoal will do. I like General’s products, but with charcoal, there’s not a broad spectrum of quality.