The Watercolor Workshop: Brushes and Surfaces
This course features:
4 Hours of Instruction
19 Videos
18 eBooks
30 Day Money Back Guarantee
Lesson Description
An overview of specific brush types, watercolor paint composition, watercolor papers, and stretching watercolor paper.
Lesson Materials
140 lb. Cold press watercolor paper, masking tape, masonite board, Hake brush, water.
Lesson Resources
Download eBook
Course Curriculum
Lesson 1: Introduction and Materials (4:43)Lesson 2: Brushes and Surfaces (11:31)Lesson 3: Application Techniques (15:32)Lesson 4: Color Theory and Mixing (16:48)Lesson 5: Composition / Still Life (14:30)Lesson 6: Still Life Sketch Conclusion (13:32)Lesson 7: Woodland Landscape - Part 1 (17:03)Lesson 8: Woodland Landscape - Part 2 (15:23)Lesson 9: Cityscape - Part 1 (18:56)Lesson 10: Cityscape - Part 2 (14:01)Lesson 11: Portrait Painting - Part 1 (18:14)Lesson 12: Portrait Painting - Part 2 (13:00)Lesson 13: Portrait Painting - Part 3 (10:22)Lesson 14: Watercolor Pencils - Part 1 (16:48)Lesson 15: Watercolor Pencils - Part 2 (10:50)Lesson 16: Mixing Media - Part 1 (14:48)Lesson 17: Mixing Media - Part 2 (12:08)Lesson 18: Painting with Gouache (17:14)Lesson 19: Conclusion (3:54)
Question. i can’t see how regular tape can hold the paper to the board. Are you using some different kind of making tape? Such as gummed?
Hi Robin,
For smaller papers, a good masking tape will work. (I am using regular masking tape here.) Some artists prefer to use “Butcher’s tape” instead of masking tape.
Butcher tape is also called paper tape right?
Hi Brenda,
I believe that butcher tape may be slightly different from paper tape, although I don’t see any issues with using butcher tape instead of paper tape.
Just a quick question, you have shown what brands of watercolour paper you will be using for this course however you have not mentioned what size we should aim to purchase, I noticed the strathmore showed 9 x 12inches do you recommend this or can you give us an idea of minimum size required.
Hi Katrina,
For most of the demonstrations, I will be working on smaller papers. This works best for showing the detail work on camera. (I generally tend to work small for most of my work anyway, no matter the medium.)
I note that you use lbs when speaking of weight of the paper. In Australia we no longer use this weight measure. Some people may become confused by it especially those born after the introduction of metric measures. I just thought I’d mention it for your future reference.
I am most impressed with your teaching methods. Not all instructors explain the steps as clearly as you do. I am looking forward to working through this course with you.
Hi Edith,
Thanks, and you’re absolutely right! Here’s a breakdown of how watercolor paper weights match up…
90lb. = 200gsm
140lb. = 300gsm
300lb. = 640gsm
Hi Matt,
Your courses are excellent. but I am facing a big problem. I am from India and the paper brands you recommended for pastel, charcoal, water color (canson, strathmore and bristol) are not available at local store or online website. can you please refer some other brand names of paper for pastel, charcoal and water color. It will be a great help for me.
I haven’t viewed Matt’s video yet but Arches is excellent watercolor paper and is used by many professional artists. Also used are Kilimanjaro and Fabriano. If you purchase a watercolor “block” – a pad of 20 sheets per block in 140 lb. paper or 10 sheets for 300 lb. that are glued together (you paint on the top one and then use a sharp blade to cut it from the next when finished painting), it eliminates the need for stretching.
Ritushree,
Are you able to buy stuff from Amazon and have
it delivered where you are? I’m in Houston, Tx
and there are lots of stores…
But I get lots of stuff off Amazon.
There are lots of products and I love the Prime shipping.
Good luck in all of your artistic endeavors!
Do you have to work with stretched paper within a certain amount of time, or is it something you do once and then the paper is good to go indefinitely?
There are brushes called ‘liners’. Are those the same as riggers? Thanks!
Yes, Lucia.
I’m having the same problem with most of this videos, they stop & go most the time all along the video’s time length, is there something wrong with them ??
Thanks, regards,
Enrique G.
Hi Enrique,
The videos are set to play in High Definition by default. If they are buffering (starting and stopping), try turning off the High Definition by scrolling over video and clicking on the “HD” icon. This will make the video load “loads” faster.(:
What brand of tubed paints do you recommend for beginning students?
Hi Lou Ann,
I personally love the Cotman series by Winsor and Newton. While most people will argue that these paints are “student grade”, I’ve found them to be high quality and of course, affordable.
Thanks!
No question just wanted to thank you for your wonderful video lessons, I have learned so much! Your a great instructor !!
Thanks Mary!
Hi Matt
I have Reeves water color tubes, are they good enough to go ahead with the course?
Absolutely Madhavi.
One thing to consider when stretching is the sizing applied to the paper. Prolonged soaking in water may result in losing some of the sizing, resulting in unexpected effects in the paint when it is applied, basically because the paper is now more absorbent. I find that with heavier papers, taping or using pre-gummed boards (all 4 sides) doesn’t require stretching, especially if you let it completely dry before cutting free.
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How about White Nights 24 watercolor pan set? Would that work with your courses?
Hi Nadereh,
Any brand of watercolor will work. I don’t have any experience with the brand that you mentioned, but quality does matter in the results. If you are looking for a recommendation, I would suggest Cotman Watercolors by Winsor and Newton.
Hi – I have a question about the paper taped preparation. When I do that, the paper are not always smooth when I paint. It wrinkles. Do I have to cheap and bad paper? (My spelling is not to good, because Im writing from Denmark:-))
Hi Anne,
If you find that the paper is still wrinkling beyond the confines of the tape, you may try switching to a heavier paper. It is more expensive, but it’s less likely to wrinkle. 140 lb. papers usually do an adequate job, but if this paper continues to wrinkle, you may consider moving up to 300 lb.
Hi, Matt. I know you like Grumbacher brushes, but they a little out of budget right now. Is there any other brand that you recommend for starting out?
Hi Eli,
Sure. You can use a variety of different nylon brushes out there. You may try Loew Cornell’s taklon brushes.
such a wonderful tutorial with much expectation….thank you matt
Thank you for your prompt reply.
There is no image, only audio
There is no image, only audio. This instruction is useless without video
Hi DE,
The videos are playing normally. What browser are you using? You may try refreshing the page.
I find that when I remove masking tape, it pulls a thin top layer off the paper, sometimes pulling toward the center of the paper (where my painting is). I’ve seen some people clip paper to a board but it doesnt seem to stretch it as well. Thoughts? Suggestions?
Hi Jennifer! If you are having tape problems there is a video here on the blog on how to prevent them called “how to prevent artists tape from tearing your paper”.
Hope that helps!
Which colors will I need for this course?
when you buy a block of watercoler paper no need to stretch right?
hI rYAN:
i’VE HAD SUCH PROBLEMS WHEN STAPLING! i’M NOT SURE IF IT’S THE STAPLER…AS I’VE EXCHANGED IT TWICE, AS WELL AS THE STAPLES. i’VE RESORTED TO THE 300#, BUT DO WISH TO USE THE 140 AND 90 WEIGHTS…
IS THERE A PARTICULAR STAPLE GUN YOU PREFER OR SURFACE….i’M STARTING TO THINK lOWE’S STAPLES ARE NOT ANY GOOD SIGHS!
SORRY…HAD CAPS ON…
I am wondering if there is a certain size for the goat-hair mop brush. I purchased a 1″ brush and it seems a little large. Thanks!
What size hake brush do you use?
Hi Dennis,
It’s about 2″ wide. I hope this helps.
Thank you for the gast reply, i know what size to buy.
Hi Matt,
I haven’t been able to figure out what size brushes you use. What size Grumbacher brush are you using in the woodland water color? Thanks.
Hi Katherine,
It is a 14 round brush (Grumbacher Goldenedge)
Do you have a shopping list for the items for this class? I have some of these but not all.
Hi Tamara,
No shopping list right now, but you can use what you have. You don’t need to have all of the materials to learn and create great work.
Hi Matt, I have been working on a watercolor since last November and I am nearing completioon soon. It’s been a very hard painting and I mistakenly got too much water on the paper trying to fix something and I was wondering if there is some way to smooth it out again. I don’t want to give up on it. I used a 15×11 Canson watercolor paper. I had Arches watercolor paper but it wasn’t big enough, but I think it would have held up better during this whole procsess. I did stretch the paper in the beginning. Is there any help? Thank you. when this is done a want to send it in for a critque, which I have never done before.
I forgot to say that the paper is 140lb. Marjorie McGee.