The Colored Pencil Course: Portrait Drawing - Part 4
Lesson Description
In this lesson, we continue our portrait drawing series and focus on completing the form of the face. This is the fourth module in the series, and it introduces shading techniques and basic color mixing with colored pencils. By the end of this lesson, you will have a solid understanding of how to build realistic facial form using value, color, and layering.
Understanding Facial Structure
Before beginning shading, it’s important to understand the three-dimensional structure of the face. The face is made up of planes that catch light differently depending on their angle. In this section, we explore the major planes of the face, including the forehead, cheeks, nose, chin, and jawline. Recognizing these planes helps you identify where shadows and highlights fall, which is essential for creating a realistic portrait.
Introduction to Shading Techniques
Shading is the key to giving a portrait depth and life. In this lesson, you will learn several techniques to achieve smooth gradients and realistic shadows using colored pencils. We cover layering, burnishing, and blending to gradually build up value. Emphasis is placed on observing subtle changes in light and shadow across the face to avoid flat or stiff results. This approach ensures your portrait has volume and three-dimensional form.
Color Mixing for Realistic Skin Tones
Color plays a crucial role in capturing the natural look of the face. In this module, Matt introduces basic color mixing techniques to create realistic skin tones. You’ll learn how to combine warm and cool colors to mimic the subtle variations in human skin, including undertones, shadows, and highlights. Tips are also provided on layering multiple colors to build richness without muddying the drawing, allowing for smooth, vibrant skin tones.
Shading the Face Step-by-Step
Matt provides a detailed demonstration of shading a face with colored pencils. Starting with the lightest areas, you will gradually build up midtones and shadows, paying close attention to value transitions and color layering. Each step is explained carefully, including how to maintain softness in the skin, avoid harsh lines, and capture the subtle contours of the facial features. By following along, you can practice creating a lifelike and dimensional face.
Practical Exercises and Observational Tips
At the end of the lesson, practical exercises are provided to reinforce the concepts learned. These exercises encourage you to practice shading different areas of the face, experiment with layering colors, and observe how light interacts with the skin. Matt also shares tips for troubleshooting common issues, such as patchy shading, unnatural color, or overly defined edges, helping you achieve a balanced and realistic portrait.
Combining Features into a Complete Face
This lesson emphasizes integrating all the features you have practiced in previous modules—eyes, nose, mouth—into a cohesive facial structure. You’ll see how shading and color application can unify the different elements of a portrait. By the end, your face drawing will appear complete, with consistent values, realistic skin tones, and natural transitions between features.
Lesson 16 is a crucial step in mastering portrait drawing with colored pencils. By combining an understanding of facial structure, effective shading techniques, and basic color mixing, you gain the ability to create realistic, dimensional portraits. This lesson not only enhances your technical skills but also builds confidence in observing and reproducing the subtle variations that make each face unique. Shading the face with colored pencils is a foundational skill that will greatly improve the quality and realism of all your portrait work.
Lesson Materials
Bristol paper, Prismacolor colored pencils, colorless blender.
Lesson Resources
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Reference Image



Could you give a suggestion for the basic skintone palate for a caucasian, blue eyed child. I am trying to do a portaite of my grandson on vellum bristol paper. This is my second attempt. I know over burnishing and smooth bristol paper were my mistakes on the first attempt.
Hi Nancy,
It will still be a combination of red, yellow, brown, and white. For a caucasian tone, more white will be used. You may try a combination of Cream, White, and Peach. Some areas mays see a bit more red used. If you want to send me the pic (contact@thevirtualinstructor.com), I’ll be glad to mix a match for you.
Thanks for the suggestions. I was leaning toward light peach for the base and using sienna brown for values on eye features and nose areas. Suggestions for under chin values. Are purples or blues appropriate?