Dog Portrait on Black Canvas
Lessons
About This Lesson Series...
The Dog Portrait on Black Canvas class is a comprehensive lesson designed to help artists create a striking, realistic portrait of a dog using colored pencils on a black canvas. This class emphasizes observation, value control, and layering techniques, demonstrating how working on a dark surface can enhance contrast and make highlights pop. By the end of the lesson, you’ll understand how to approach dark backgrounds while maintaining vibrant and lifelike colors.
Preparing the Black Canvas
The class begins with preparing the black canvas and planning the composition. You’ll learn how to transfer the initial sketch accurately, ensuring that the dog’s proportions and facial features are correct. This preparation is critical for maintaining a strong foundation, allowing the colored pencils to build depth and texture effectively on the dark surface.
Building Layers of Color
Once the drawing is in place, you’ll start applying colored pencils in layers. The lesson demonstrates how to build up color gradually, blending and layering pigments to achieve smooth transitions and rich, dimensional tones. Special attention is given to how colors appear differently on a black surface, teaching you techniques to enhance vibrancy and luminosity.
Creating Realistic Fur
Rendering realistic fur is a key focus of this class. You’ll learn how to use directional strokes and varied pressure to mimic the texture and flow of the dog’s coat. The instructor shows how to combine multiple colors to suggest highlights, midtones, and shadows, giving the fur a lifelike appearance. Techniques for softening edges and adding subtle details help bring the portrait to life.
Highlighting Features and Expression
Special emphasis is placed on the dog’s eyes, nose, and facial features, which are essential for conveying personality and expression. The class demonstrates how to enhance highlights and contrasts to create depth and realism. You’ll learn how to focus attention on key areas while keeping supporting regions softer and more subtle.
Final Touches and Finishing Techniques
In the final stages, the class shows how to refine the portrait, unify colors, and strengthen contrasts. Tips are provided for enhancing small details and maintaining harmony throughout the piece. By the end of the lesson, you’ll have a polished, vibrant dog portrait on a black canvas, along with valuable skills for working with colored pencils on dark surfaces.
Specific Lessons
Lesson 1 (1:08:30)
In lesson one, we sketch out the contours of the dog on plain paper and discuss the process of transferring our image to the final canvas.
Lesson 2 (1:15:10)
In lesson two, we begin to apply oil paint using a soft, scumbled application.
Lesson 3 (1:11:32)
In lesson three, we continue working on the face of the dog, working our way to the left.
Lesson 4 (1:11:59)
In lesson four, we develop the texture of the nose of the dog.
Lesson 5 (1:05:50)
In lesson five, we begin painting the texture of the fur.
Lesson 6 (58:20)
In lesson six, we complete the painting by adding glazes.
Resources for this Lesson...
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References
Here's what you'll need...
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Hello Matt,
It’s been a while since I’ve logged on. I’m Keen to get back on track.
Would it be possible for you to do an owl for a future masterclass? I’m quite fascinated by them.
Off to complete, ‘25 days to better drawing’, then I’ll start on this cute dog.
Keep up the good work.
Kind regards
Audrey Clarke,
Maidstone, Kent UK
Hi Audrey,
Thanks for your comments! Have you seen these lessons on drawing and painting owls…
https://thevirtualinstructor.com/oil-painting-snowy-owl.html
https://thevirtualinstructor.com/pastel-pencils-owl.html
https://thevirtualinstructor.com/blog/how-to-draw-an-owl-with-pen-and-ink
Hello Matt and Avery,
Recently a friend’s Boston Terrier died. They asked me to do a picture of her. I have searched all the courses for a medium that i think will please them. I really like what is being taught here. but the colors used would be different. Could you suggest a pallet for a Boston Terrier? Thank you so much. Becoming a member of The Virtual Instructor has been wonderful.
I have also considered watercolor and ink and watercolor and colored pencil. I am going to try one of those techniques while the oil drys. Which would you suggest?
Thanks again. David
Sorry. I meant Ashley
I used lemon yellow and cadmium yellow and a lot of paint thinner for my glazes and it looks alright.