Live Lessons: "Candy" - Gouache Painting
About This Lesson Series...
In this lesson series, we’ll develop a representational painting of a bag of candy with gouache, also known as opaque watercolor.
Lesson 1 (1:08:48)
In lesson one, we use a graphite transfer to position a contour line drawing of the subject in place on the painting surface. We discuss the properties of gouache and begin with our initial applications, filling in the shape of the bag.
Lessons 2-3 (2:23:50)
In lesson two and three, we begin developing the relationships of value and tone to create the illusion of texture and the form of the bag. By working back and forth between shadow and highlight, the surface of the bag begins to look shiny and smooth.
Lesson 4 (1:09:43)
In lesson four, we address the white parts of the bag. In this lesson, we see that “white” isn’t usually white and is best addressed with variety of grays.
Lesson 5 (1:07:52)
In lesson five, we dive into the text. We mix a brown that matches the label and tackle the smaller text on the outer portions of the bag along with the larger text in the center.
Lesson 6 (1:06:23)
In lesson six, we begin developing the pieces of candy on the label and the ones spilling out of the bag. You’ll learn how to create the illusion of form by gradually building up lighter and darker versions of color and how to blend transitions of tone.
Lesson 7 (1:07:35)
In lesson seven, we continue developing the candies on the label and the remaining pieces on the outside of the bag, addressing each color individually.
Lesson 8 (1:57:00)
In lesson eight, we complete the painting by addressing the character on the bag, the remaining sections of text on the label, and the cast shadow underneath the bag and candies.
Resources for this Lesson...
Here's what you'll need...
- 140 lb Cold Press Watercolor Paper
- Hard Graphite Pencil
- Soft Graphite Pencil
- Gouache Paints
- Nylon Brushes
- Kneaded eraser
- Masking Tape
Congratulations on the use of your video, Matt! That’s quite a kudos. On the subject of qouache, I’ve tried to use it to add highlights on watercolor paintings and it doesn’t cover very well. I’m thinking it could be the cheap paints I picked up so I’ll have to try a tube of Windsor-Newton.
JD Brown, I read your comments on the Gouache painting and want to you for the warning when looking for top quality tools if you expect top performace in the art you produce. Also the try and learn using different quality can be helpful in the improvement stages along the way. Thanks for the post..
Matt does a wonderful job I think, what you feel or think about the lessons?
I’ve not found any online instructor, or anywhere else for that matter, that meets Matt’s level of instruction. I have to give him credit for getting me out a number of bad habits and bad attitudes toward my art. I never pushed myself much further than graphite until I found Matt’s site and decided ‘hey, I can do this’. May sound strange but it is what it is. LOL
Good luck with your art.
I am sure you and your family are celebrating on your earned success. There used to be an old-fashioned expression when I was growing up, “Those who cannot do, teach.” Not so with you, our talented Instructor!!! You have rewritten the old adage to, “Those who can do, can both be a wonderful artist and great teacher. I was thrilled when I found your courses and plan to study along with the rest for time in perpetuity I graduated from Boston University with a BFA in acting – started in theatre when I was 12 years old doing summer stock with a Canadian company which was based in NYC in the winter and Dorset, Vermont in the summers. When I had my first son, I reluctantly gave up on my career as I was afraid I would continue to be too involved in my profession and not my boys’ sports endeavors but brought them up in the Fine Arts. I know I made the right decision. I then decided when they were grown to see if I could paint or draw or something to do with the fine arts — I lived on Sanibel Island, Florida and took lessons in first oil painting which ruined my watercolor career before it even began — I thought for life until I happened upon your methods of teaching — so. now because there is a glimmer of shining hope, I began with the basics last month with you and am loving your program. You talked about as we started out — whether in watercolors or oils — will probably dictate the direction we choose to put color onto paper — and how right you are. When I first began classes, I took a week-long class with the now famous Chinese/American painter Lian Quan Zhen and loved his class so much, I went to China for a painting tour he takes students on every year. I loved painting every day all over China; however, I struggled with watercolor then and am still struggling. I am confident you can break me of my bad habits acquired from beginning my artistic endeavors painting in oils. I am sure also I will be slow to finish projects, as I am now 79 years old and need more sleep than before. I will send you something to critique when I complete the sea turtle (am using the pen and ink method for the first time) and the gouache candy piece (have never used gauche before) but as you said, I love it because I began painting in oils. I cannot wait to start another lesson but must learn to be patient and proceed slowly! Lian’s wife paints the “old Chinese watercolor style” as opposed to his more modern paintings and, like you and your wife probably did, they started small but now give classes all over the world and give a great Chinese cooking school/painting week in the mountains some place. You, however, are bypassing the small stuff and are exhibiting with great Masters! I will look for your work in museums in the future! I have to study watercolor painting with you so I can use Lian’s books (I have a good collection) and maybe finally will learn to paint with his complicated-for-me techniques — another project in addition to taking every one of your ongoing courses! Anne
Hi Matt – I had to order the permanent yellow deep because I only had the primary yellow. I won’t get the yellow from Dick Black for another 7 to 10 days. I have been attempting to paint the lesson by mixing in some red and brown with the primary yellow. Do you have any suggestion or is this mixed color the best I will be able to achieve?
Hi Anne, you could wait for the paint to arrive or you can continue on mixing your own yellow. You may actually find that the mixed version creates a more natural appearance since there will likely be small variations in the color, which is closer to what we actually see in reality.
Matt What do you think of Arteza Paints?
I’ve never used them before. I think they are relatively new. Maybe I can check them out.
Nicely done! A suggestion: why not use a gel pen for the lettering?
Thank you Matt, I feel reinvindicated.
Misterart.com I buy from them, excellent inventory. Fast and efficient. Good prices.
I really like this series, and my 5 year old brother is watching with me too!!!
I’m newbie here and I want to learn more on realistic and what available materials I have now and this reference is swak in my materials…feel so excited n when I scroll this website scream lol ..so much have to learn here …thank you Matt I found this …
I use M. Graham gouache which is available at my local art supply store. It covers very well and is comparable to Winsor & Newton in quality in my experience but is a little less expensive in my store.
I’m loving this tutorial! Matt, you have helped me tremendously in my art journey. I’ve finished the drawing and will start the gouache tomorrow, since I have other time commitments today. How exciting to have your video playing at the Napa Valley Museum! You are such a skilled artist, and an amazing teacher. Congratulations and thank you for all you do.
Thanks so much for your kind words!!!